The shouldermount is a must when you're doing ENG video, because anything handheld with a camera this size has got to be able to rest on your shoulder to remain comfortable over a long period of time. The extension arm, you'll notice, is actually attached to a different rosette that's not on the Pro, and that's because this camera actually has a shouldermount. On my Broadcast camera ( Figure 11, below), I have both a handle, an eyecup viewfinder, and an extension arm for the controller. Now let's take a look at the Broadcast and some of the accessories that are built onto it. Bottom of the URSA Mini Pro URSA Broadcast That's the body of the URSA Pro.įigure 10. On the bottom of the camera ( Figure 10, below), you’ll find holes for tripod mounting or the addition of a shouldermount kit. Moving to the top of the camera ( Figure 9, below), you’ll find what you would expect to see on the top or bottom of any cinema camera: lots of female threaded ports, and below that, the rubber cover that houses your two XLR inputs for audio.
Below that, there are two customizable function buttons and, of course, the record, start, and stop button in red. There are also three quick toggle buttons here to control ISO, shutter, and white balance, so it makes it very easy to dial those on the fly just by tapping up or tapping down on those. If I rotate the dial, it's going to close or open my iris. Towards the front, there's a toggle for headphones, monitor, and iris ( Figure 8, below).
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